(Caption for photo at top of the post: “The conflict at the heart of the art show has stretched for more than three decades, pitting the separatist Kurdistan Workers’ Party against the Turkish state. Credit: Ivor Prickett for The New York Times”.)
On the other hand the show was allowed to go on for two month–from a piece at the NY Times, quite a few more photos at link:
An Exhibit Meant to Showcase Kurdish Suffering Provoked a Furor Instead
A recent art show in a major Kurdish city in Turkey aimed to uplift a region crushed by years of conflict. It ended up serving as a reminder of how toxic the subject of Kurds remains in Turkey.
DIYARBAKIR, Turkey — Dozens of brightly painted coffins marked with the initials of dead Kurdish civilians were laid out on the upper battlements of an ancient fortress. A wall of street signs bearing the names of other victims and a towering pile of rubber shoes recalled the thousands killed or imprisoned during decades of conflict.
The installations formed part of a recent art exhibit in Turkey’s largest Kurdish city, Diyarbakir, that the organizers hoped would uplift a region crushed by years of debilitating strife. Instead, the show came under furious attack from Turks and Kurds alike, and the government closed it down early — a reminder of how toxic the subject of the Kurds remains in Turkey.
“As a Kurdish artist, I wanted the audience to see and confront the harsh facts,” said the artist at the center of the uproar, Ahmet Gunestekin. “I wanted visitors to come face-to-face with the tragedy of the people of this region.”
The fighting between Turkish government forces and Kurdish separatists reached Diyarbakir in 2015, leaving the warren of narrow streets in its historic old district of Sur in ruins. Since then, the city has lived under tight police control as the Turkish authorities threw local Kurdish politicians and activists into prison.

An aerial view of the damage to a historic district in Diyarbakir, where the Turkish military fought Kurdish rebels in 2015. Credit: Ivor Prickett for The New York Times
The city’s chamber of commerce, which organized the exhibition, had hoped it would give Diyarbakir a much-needed boost by attracting visitors and filling hotels. The organizers chose Mr. Gunestekin because he was internationally known, and because his body of work honors the country’s Kurdish minority. Also in his favor: He had long been supported by people close to Turkey’s governing party [emphasis added].
The show, “Memory Chamber” — a combination of painting, textiles and sculpture — included political art and video installations that recalled the suffering of the Kurds and other minorities throughout decades of oppression under Turkish rule.
The uproar over it was less about the quality of the art and more a reflection of how polarized Turkey has become under President Recep Tayyip Erdogan.
When he first came to power nearly two decades ago, Mr. Erdogan quietly encouraged more cultural freedoms for Kurds, especially in media and publishing, and in 2013, he supported a peace process with Kurdish separatist rebels. But since 2015, when the peace process broke down, he has presided over the bombardment of Kurdish cities and a ruthless crackdown on Kurdish politicians and activists [see also Armenians and Diyarbakir at this 2016 post: “The Sublime Erdogan vs Armenians and Kurds, Urban Redevelopment Section“].
The response to the art show, which opened in October, was bigger than expected in many ways — a celebrity-filled opening, large crowds and full hotels. But it also brought a storm of criticism from all directions, including from Suleyman Soylu, Turkey’s interior minister.
He said that the exhibit expressed sympathy for terrorists, a term the government increasingly uses to describe its political opponents…
That conflict at the heart of the art show has stretched for more than three decades and left an estimated 40,000 dead, most of them Kurds. It pitted the separatist Kurdistan Workers’ Party, or P.K.K., against the Turkish state.
The pro-Kurdish Peoples’ Democratic Party, or H.D.P., a legal political party that shares much of the P.K.K.’s political platform, is regularly accused of terrorism for its ties to the militants, and the Turkish authorities have removed many of its elected representatives from their positions and imprisoned them, along with dozens of journalists and activists.
A recent political shift in Turkey was evident at the opening of the exhibit. An alliance of Turkish opposition parties, formed about three years ago to oust Mr. Erdogan, has been cooperating with the H.D.P. with the aim of combining their voting power ahead of elections in 2023 [emphasis added].
The most notable guests at the opening were opposition figures, including Ekrem Imamoglu, the mayor of Istanbul and a presidential hopeful [see this 2019 NY Times story: “Turkey’s President Suffers Stinging Defeat in Istanbul Election Redo“], and Mithat Sancar, a leader of the pro-Kurdish H.D.P.
Government officials stayed away…
…there was no doubting the enthusiasm of many who visited the exhibition over the two months it was open, with lines forming on the weekends [emphasis added]…
Diyarbakir is also noted at this 2016 post:
Sublime Erdogan the Magnificent vs the Kurds (plus ISIS/Syria)
Mark Collins
Twitter: @mark3ds